There is no greater witness to history than art. Present in all eras and cultures, artisticcreations have come down to our day filled with esthetic and documentary value. For that reason, the work at the BBVA Collection has very little to do with finance. It consists of caring for art, in order to preserve our history.
In 2013, the BBVA Collection contracted a team of restorers to insure that the 7,000 pieces that comprise the bank´s artistic patrimony - paintings, works on paper, sculptures and decorative art – are cared for by professionals.
In spite of being expert restorers, this team makes every effort never to have to prove it. “Preventive conservation is very important, in order not to have reach the point where the artworks have to be restored,” explains María Luisa Barrio, Head of BBVA´s Historical-Artistic Patrimony.
Preventive conservation is a continuous, comprehensive task that protects works of art from the effects of environmental conditions. For that reason, it requires studying every detail of the place where each work is kept. The temperature should be maintained at between 18 and 22 degrees Celsius (64.4 to 71.6 degrees Fahrenheit) and the atmospheric humidity between 45% and 55%, with a minimum variation, depending on the material in question. The third factor is light; although essential for viewing artworks, light is also the one of the primary contributors to their deterioration. “The most important thing is that there not be great fluctuations in temperature and humidity, that they be kept stable, because sudden changes are what do the most damage to a work of art. A frame could come loose or paint could peel off,” explains María García-Frías, Head of Restoration.
Scientific testing before an intervention
Restoring a work of art is a delicate task. Dressed like surgeons in white lab coats and gloves, the experts at the BBVA Collection perform all sorts of operations. The cleaning of superficial dirt, settling of color, repair of damage to frames, or lightening of altered varnishes, are some of the most frequent procedures.
But before beginning the treatment, it´s necessary to make a diagnosis of the piece. Thanks to prior studies, chemical analyses and x-rays of a painting, it’s possible to know the secrets and the history of the work. In this “artistic pre-operative procedure,” the restorers can learn, for example, what the original colors were and the modifications that have been made to them over time.
The experts repair, to the extent possible, all the damages that a painting has suffered, including that which has come from unfortunate interventions made by their colleagues in the past. The advanced technology available to María García-Frías and Beatriz Lahoz, restorers of paintings at the BBVA Collection, enables them to work with a degree of precision that would have been unimaginable only a few years ago.
Sculptures exposed to the sun and rain
Three-dimensional art plays an important role in the BBVA Collection. In its workshops, sculptures from the 15th Century to the present have been rescued and restored.
Acid, the greatest enemy of paper
The BBVA Collection contains many valued works on paper, from 15th Century promissory notes to pieces signed by artists such as Joan Miró or Miquel Barceló. Acid is their greatest enemy, according to Lludmila Lidón and Marta García, two restorers specialized in caring for these jewels on paper.
“Acid breaks down the fibers that make up the paper, so that over time, the work is destroyed. That´s why it’s necessary to store them in folders made of PH-neutral materials that keep them separate from other elements that could transmit acidity,” they explain.
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